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Gaspare Spontini: Olimpie

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French libretto by Armand-Michel Dieulafoy and Charles Brifaut, based on Voltaire’s tragédie nouvelleOlympie(1761) The light cruiser HMS Kenya (Capt. M.M. Denny, CB, RN, flying the flag of Rear-Admiral H.M. Burrough, CB, RN) joined the convoy around 0900Z/23. HMS Olympus (Lt.Cdr. H.G. Dymott, RN) departed Colombo for Aden. HMS Olympus was to proceed to Malta and join the Mediterranean Fleet. As usual with Palazzetto Bru Zane the book includes extensive articles but curiously neither the article by Olivier Baras nor the one by Gerard Conde makes a good case for the revised version, and I would be interested to hear the original tragic ending. Unfortunately, the musical sources for this does not seem to exist. Freshness & energy: Victoria Stevens on her new Le nozze di Figaro at the New Generation Festival in Florence - interview

Population & housing census 2001 (incl. area and average elevation)" (PDF) (in Greek). National Statistical Service of Greece. Archived (PDF) from the original on 21 September 2015 . Retrieved 15 November 2016. In fact the opera is remarkably passionate, but with the period instruments comes the ability to use somewhat lighter, more flexible voices than modern instruments would require.Gaspare Spontini Olimpie; Karina Gauvin, Kate Aldrich, Mathias Vidal, Josef Wagner, Le Cercle de l'Harmonie, Jeremie Rhorer; Palazzetto Bru Zane Eugène-Emmanuel Amaury-Duval (painter, member of the scientific commission), Souvenirs (1829-1830), Librairie Plon, E. Plon, Nourrit et Cie, imprimeurs-éditeurs, Paris, 1885. Panagiotis Kondylis, one of the most prominent modern Greek thinkers and philosophers, was born and raised in Olympia. A very human St John Passion: Solomon's Knot in Bach without conductor and from memory (★★★★ ★) - concert review

Casaglia 2005a and Everett 2013, p.138 ("the resident conductor of the Opéra)." Everett gives the date of the premier as 20 December 1819, but Lajarte 1878, p. 94, states that, although 20 December appears on the printed libretto, it is erroneous, and the premier actually took place on 22 December. While listening to the new CD recording (which is also available on YouTube, Spotify, and other streaming services), I sometimes heard intimations of Wagner’s Lohengrin and Berlioz’s Les troyens. I particularly enjoyed several moments that set the vocal parts against highly rhythmic lines in, say, the low strings. I can well imagine Berlioz sitting bold upright (at a performance, or while reading the score) and thinking: “I could put that texture to splendid use in my own works!” Pitou, Spire (1990). " Olympie". The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Growth and Grandeur, 1815–1914. New York: Greenwood Press. pp.963–967. ISBN 9780313262180.Six of the transports / tankers left Malta for Gibraltar in the morning of the 23rd, escorted by HMS Encounter. The seventh ship, tanker Svenor grounded while leaving harbour and was held up for some hours. At dusk, when a few miles from Pantelleria, the six ships devided into pairs according to their speed. HMS Encounter initially escorted the middle pair but joined the leading ships in the evening of the 24th when past the Galita Bank.

Particularly toothsome are some dramatic entries by the brass, played in the raspy manner favored by such early-music conductors as Nikolaus Harnoncourt. An instance can be heard at the beginning of the scene in Act 1 in which Antigone welcomes his warriors and the people of Ephesus into the temple of Diana for the wedding of Cassandre to—as Antigone will learn to his dismay—the slave Aménaïs (i.e., Olimpie). The carefully calibrated writing for winds and for muted and unmuted strings (explained in the accompanying essays) is much more audible here than in two earlier recordings of the opera, both currently unavailable except as used copies or via streaming: a 1950 live performance in Italian with the young Renata Tebaldi; and a 1984 radio-broadcast from Berlin that is in French (not always well pronounced). Both of those recordings used a version of the score that was published after Spontini’s death and that blended aspects of 1821 Berlin and 1826 Paris. Education is key: I chat to conductor Nicholas Chalmers about Nevill Holt Opera & its new theatre - interview Casaglia, Gherardo (2005). " Olympie, 22 December 1819". L'Almanacco di Gherardo Casaglia (in Italian). What we're missing: I chat to festival director Joseph Middleton about this year's Leeds Lieder - feature articleBlouet, A., Ravoisié, A., Poirot, A., Trézel, F., and de Gournay, F. (1831, 1833, 1838). Expedition scientifique de Morée ordonnée par le Gouvernement Français; Architecture, Sculptures, Inscriptions et Vues du Péloponèse, des Cyclades et de l'Attique, 3 Volumes, Firmin Didot, Paris. HMS Olympus (Lt.Cdr. H.G. Dymott, RN) arrived at Dartmouth for a short work-up period and A/S exercises.

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