No Longer Human (Junji Ito)

Product Information

But Ito, apparently, did not want to really take on the challenge of the adaptation as it was. He changes the plot heavily in places, adding death, gore, more sex and ghosts (or at least visions of the dead). And more importantly, he makes the story even more misogynistic, adding plotlines for various women characters that are even more awful and prone to offensive stupid tropes than the original. no longer human till this day resonated with so many people. its a story that exposed the weakness, self destruction, honesty to the point it hurts, no rationalization for all bad decision and actions and somehow we empathize with the character.

Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. I think it’s great as an adaptation not because it's a literal scene-by-scene rendering of the novel (though it is fairly accurate) but because it captures the bleak, nihilistic atmosphere of the original in its own medium. Whereas Dazai uses tortured internal monologues to express the protagonist's despair, Ito externalizes this despair through images.Oba is himself haunted by ghosts in his daily life, so he draws mostly ghosts, so you can see the attraction to the supernatural for Ito. Oba/Dasai was derided by his father throughout his life. He was told he was a failure for doing manga and told the honorable thing he should do would be to commit suicide, which in fact he/Dasai attempted a few times. Eventually the narrative is reduced to hallucinations and an extended dream sequence as Oba becomes increasingly unhinged. Ressler, Karen (February 11, 2019). "Viz Licenses Junji Ito's No Longer Human Manga". Anime News Network. Archived from the original on December 25, 2021 . Retrieved December 25, 2021. a b c d "No Longer Human". Viz Media. Archived from the original on September 6, 2021 . Retrieved December 25, 2021.

Written and illustrated by Junji Ito, the series began serialization in Big Comic Original on May 2, 2017. [2] The series completed its serialization on April 20, 2018. [3] Shogakukan collected the series' individual chapters into three tankōbon volumes. [4] This is a massive manga adaptation of Osamu Dazai’s No Longer Human. I mean it is chunky. And I feel so guilty that this adaptation is… getting 5 stars, while the original got 4. Seriously, Junji Ito has this way of capturing sheer terror in one or two drawings, in his characters’ eyes – they remain with you when you turn the lights off right before you take the five or six steps to your bed. Apparently Dazai’s style was autobiographical fiction and I’ve never read the original book (nor ever will) so I can’t say how much of this is directly taken from the book or whether Ito added in biographical elements from Dazai’s life. But the book opens with an alcoholic writer and his young girlfriend committing suicide by drowning, which is really how Dazai died. This was my first experience with Osamu Dazai's novel No Longer Human, which has been considered his suicide note and which is, at least in this form, a haunting and painful tale of, well, lots of things, but perhaps mostly misery and the ways in which our own misery leads us to inflict misery on others. While I appreciated Ito's ability to make this spooky without any monsters, I found that this reflected the source material a little too closely, so to speak - my god, the misogyny! Why take responsibility when you can blame a woman, right?

And we get a child posed in a monkey-ish way, but instead of a nauseating feeling one just see a stupid looking pose. He inadvertently(?) caused the demise of a few people, whose ghosts haunt him at the most inopportune times. It seemed like death and the love of women came to him easily, like a song that broke the monotonous buzz of despair and dread that continually consumed him. With such a fair face, he can't help being a lady's man. It may have served his women better if they took a more critical peek at his art, if only to see the demons he was harboring within. This is one of the exceedingly few works I've read that deal with a Grade A homme fatal.